![]() ![]() #LITTLE BILL GETS GROUNDED DRIVER#“It’s a great driver of success and of word-of-mouth. “I love things that catch you by surprise,” says Stone. He brought the quirky comedy “ The 25th Annual Putnam County Spelling Bee” to Broadway for a run of nearly three years and turned a profit with the Pulitzer-winning “ Next to Normal” at the Booth Theatre, the smaller Broadway house that “Kimberly Akimbo” will call home. ![]() Producer Stone, too, has a track record of finding commercial success with shows that are intimate and unexpected. “Kimberly Akimbo” wouldn’t be the first musical to reap Broadway rewards after opening at the Atlantic, where “Spring Awakening” originated in 2006 and went on to become a Tony-winning hit. “Just the joy of laughing and crying together.” “It was a complicated time, and people were just so moved by it,” Lindsay-Abaire says. And after the upheaval and loss of the pandemic, the musical met an audience primed to find particular resonance in a show about learning to live fully and appreciating the fragile life you have. In a timeline set back by the COVID lockdown, “Kimberly Akimbo” finally arrived at the Atlantic in late 2021, just as the theater industry was taking its earliest steps back to life. ![]() “David is a structuralist, and I operate from complete chaos,” she says, laughing.Īfter “Wicked” producer David Stone came aboard, the trio developed the show over seven years of demo recordings, readings, labs and attracting talent including Tony winner Victoria Clarke (“The Light in the Piazza”) as Kimberly. Tesori says it’s a case of opposites attracting. “I wanted to work with Jeanine on a musical like I work on one of my plays,” Lindsay-Abaire recalls. “The challenge now is to expand what we have without losing this gem of a story,” says director Jessica Stone.īack in 2008, after collaborating on DreamWorks Animation’s Broadway outing “ Shrek the Musical,” Lindsay-Abaire (“Rabbit Hole”) and “Fun Home” composer Jeanine Tesori were eager to reteam on something with lower corporate stakes than a Hollywood studio’s bid to turn a film franchise into a Broadway smash. On YouTube, a subculture of videos that utilizes Vyond and Plotagon emerged in 2011. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |